This is a continuation of my country, blues, jazz, gospel – and a lot of it came from the countryside and country people – rant from a few months ago.
We all know about the roles big cities played in the advancement of jazz. How much do we know about the role country people played?
By good fortune, I found a resource where two people, a brother and sister, who are representative of this story, go into the details of their musical life being raised in a small town in rural parts in the 30s and 40s.
My previous video on this subject
– Ken McCarthy
Jazz on the Tube
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The avant-jazz singleMan on the MoonbyOrnette Coleman, released in 1969 in response to the first moon landing, features my father,Emmanuel Ghent, on ‘electronic devices’ jamming with Ornette & an all-star band:Ornette Coleman– alto sax;Don Cherry– trumpet;Dewey Redman– tenor sax;Charlie Haden– bass;Ed Blackwell– drums;Emmanuel Ghent– electronic devices.
I was delighted to find this out of print recording on YouTube this week:
My father shares a writing credit w/ Ornette on the tune:
It is curious that the B-side of “Man on the Moon” is named “Growing Up”. For me personally, listening to “Man on The Moon” evokes memories of my childhood. When I was a child growing up in SoHo, Ornette lived in our building. In those years, artists (including my parents) were living in, working out of and renovating entire floors of empty factory buildings in SoHo – all before zoning allowed residential use. In 1970, our building became known for a few years as ‘Artist House‘. Ornette intended Artist House to serve as a live-work performance space for ‘artists of all kinds’. According tojazz.com, residents of Artist House includedAnthony Braxton, Leroy JenkinsandTruvenza Coleman, Ornette’s sister.
Ornette lived on the third floor and used the ground floor to rehearse and perform. He would come upstairs to my father’s electronic music studio from time to time and they would jam. Apparently my father recorded a few of these sessions, because there are a few reel-to-reel tapes in my father’s archive with Ornette’s name on the spine. Wonder what is on them! Can you imagine? I hope they are still transferable.
A few years after the release ofMan on the Moon(on Impulse), my father performed some of the electronics and studies used for this recording atThe Kitchen, on January 17, 1972:
As you can imagine, as a young child I was fascinated by the electronics. Between falling asleep to Ornette’s rehearsals and having (albeit limited) access to the tape machines, who could resist? It was in my father’s studio, on 2-track and 4-track tape machines, that I began to learn the basics of recording.
If you want a first-hand insider’s account of what it was like to hang out with Charles Mingus, Miles Davis, Charlie Parker, and a whole host of other famous jazz musicians, this one is not to be missed!
– Ken McCarthy
Jazz on the Tube
P.S. Our unique programming is made possible by help from people like you. Learn how you can contribute to our efforts here: Support Jazz on the Tube
Thanks.
P.S. Our unique programming is made possible by help from people like you. Learn how you can contribute to our efforts here: Support Jazz on the Tube
Thanks.
Music credit: The Jazz on the Tube podcast theme song is “Mambo Inferno” performed by The Manhattan School of Music Afro-Cuban Jazz Orchestra conducted by Bobby Sanabria from the CD ¡Que Viva Harlem!
P.S. Our unique programming is made possible by help from people like you. Learn how you can contribute to our efforts here: Support Jazz on the Tube
Thanks.