“Keep a green tree in your heart and perhaps a singing bird will come.” – Chinese proverb
Reunited in Havana with the help of Jazz on the Tube, Cuban drummer and singer Gilberto Valdés (89) and US composer and instrumentalist David Amram (87) work through the rhythms of a score together over lunch.
Jazz is an art of innovation, but it’s equally an art of memory, history, and tradition.
Gilberto and David know what it was like when there was a free flow of music and musicians between Cuba and the United States and what a positive impact that had on the people and music of both countries.
They also know the jarring effect of having that free flow cut off. (This was David’s first trip back to Cuba in forty one years.)
At Gilberto’s home, David and Gilberto talk
about the fine points of Cuban percussion.
Gilberto’s son is in Sao Paulo working as a filmmaker and when he visits he brings his Dad Brazilian instruments like this flute and pandeiro (tamborine.) Gilberto and David took them down off the wall where they were hanging and gave them a try.
At La Zorra and El Cuervo – the club in Havana where you can consistently hear great jazz seven nights a week – David and Orlando “Maraca” Valle on flute jam.
That’s New York’s Robby Ameen sitting in on drums. (If anyone recognizes the other players, please let me know.)
After we’ve paid the light bill and sent out the daily videos, this is an example of some of the the “behind the scenes” work Jazz on the Tube does to help make unique musical things happen in Cuba and elsewhere.
If you’re inclined to pay a voluntary user fee for your daily subscription and access to over 2,500+ classic jazz videos, we can always use the help and guarantee the money will be well used. Support Jazz on the Tube here.
Great news!
You can now watch this video – and all Spanish language videos – with English subtitles. It’s free!
How are Camilo’s kids doing? You tell me. Here they are with “Perdido.”
There’s good news and bad news here. The good news is the music itself.
This is a high school band (ENA) and these are mostly underclassmen, new to the band and I presume jazz itself.
The band has only been working together since October of 2017 and this was recorded in late January 2018.
The bad news is that, thanks to US politics, this group will not be performing in the Essentially Ellington competition at Jazz at Lincoln Center this spring, something many of us had been eagerly anticipating.
Here’s the band playing a Cuban classic “Son de Loma,” a composition by Miguel Matamoros that pays tribute to the island’s musical fertility…”Mom, I want to know where those singers are from. I find them very gallant.”
The next piece was a surprise.
The audience clamored for the Philharmonic Orchestra of ISA (Instituto Superior de Arte) to play an encore after a performance of a series of pieces by Ray Lerna of the Republic of the Congo at Havana’s Jazz Fest.
They’d run through all of Mr. Lerna’s pieces – so they played one by their beloved theory and composition teacher, our man in Havana Camilo Moreira!
Next, Camilo’s nephew, age 5, tries his hands at the tambores (drums.)
Surprisingly, drums are hard for the young to get their hands on in Cuba (as are trumpets in New Orleans), so I believe Camilo when he says this was his nephew’s first try at them. Not bad.
A parting picture…
Swedish trumpeter and composer Stefan Johnsson, Camilo and his nephew who is clearly ready for show business.
Johnsson collaborated with Camilo and the ENA Jazz Band as part of Havana’s Jazz Fest 2018. (Note: Sweden is one of 188 counties NOT participating in the US economic blockade against Cuba.)
People who buy the Jazz on the Tube Insiders Guide to Cuba are helping support these efforts and more. All profits go to the cause, the cause being helping jazz musicians in Cuba develop their art and pass it on to the next generation.
Great news!
You can now watch this video – and all Spanish language videos – with English subtitles. It’s free!
Michele Rosewoman and members of New Yor-Uba perform “The Egun and the Harvest”
Michele Rosewoman Trio perform ‘Akomado’ For Babaluaye
“Guerreros” Michele Rosewoman and New Yor-Uba at Dizzy’s Lincoln Center 10/13
New Yoruba, October, 1984 in Warsaw, Poland a year after the group’s founding
Ed Kelly exploring Monk – “Well You Needn’t
Orlando “Puntilla” Rios – “El Breve Espacio”
– Ken McCarthy
Jazz on the Tube
Music credit: The Jazz on the Tube podcast theme song is “Mambo Inferno” performed by The Manhattan School of Music Afro-Cuban Jazz Orchestra conducted by Bobby Sanabria from the CD ¡Que Viva Harlem!
A excerpt of a talk and demonstration by John Santos presented at the National Museum of American History by the Smithsonian Latino Center for Jazz Appreciation Month. (To see the entire talk (well worthwhile!) search YouTube for “Latin Jazz Percussion Workshop with John Santos at the National Museum of American History”)
Santos is a seven-time Grammy-nominated percussionist, US Artists Fontanals Fellow, 2013-2014 SFJAZZ Resident Artistic Director, and one of the foremost exponents of Afro-Latin music in the world today.
Born in San Francisco, California, November 1, 1955, he was raised in the Puerto Rican and Cape Verdean traditions of his family, surrounded by music. The fertile musical environment of the San Francisco Bay Area shaped his career in a unique way. More information on Santos and his music here: http://johnsantos.com/
Rich Pulin of pulin4jazz.org talks about his life in jazz which included seven years with the Tommy Dorsey Band on trombone. Rich has been running a most innovative jazz education program for kids in Clark County, Nevada (Las Vegas) that could be a model for the nation.
– Ken McCarthy
Jazz on the Tube
P.S. Our unique programming is made possible by help from people like you. Learn how you can contribute to our efforts here: Support Jazz on the Tube
Thanks.
Singer, writer, and educator Tom Cunniffe was part of the legendary and unfortunately now-defunct Jazz.com.
He’s captured the spirit of that site and put his own unique twist on it with a unique approach to reviewing the music and shining a light on some of the great music of the past that deserves a second look – or maybe even a first look for some of us. Highly recommended.
P.S. Our unique programming is made possible by help from people like you. Learn how you can contribute to our efforts here: Support Jazz on the Tube
Thanks
