Livestream, Video
You can follow Paul Carr here.
Review:
This is the forty fifth in a series of special Jazz on the Tube reviews of live stream performances.
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Paul Carr was born in Houston, graduated from Howard University, and developed into a powerful tenor-saxophonist who, while inspired by Arnett Cobb and Don Wilkerson, has long had his own sound.
Carr has led several fine CDs and has also been a busy educator, founding the Jazz Academy Of Music.
On this LiveStream from May 29, 2020, Paul Carr performs with an excellent young rhythm section, really digging into a passionate version of “Invitation,” a relatively tender “Our Love Is Here To Stay,” the adventurous “After The Morning,” and a couple of originals.
Paul Carr certainly deserves to be much better known.
-Scott Yanow
Archived streams
May 29, 2020
July 14, 2020
You can follow Paul Carr here.
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Video
Direct pay Caleb Curtis right here.
You can follow Caleb Curtis here.
Review:
This is the one hundred and seventy-fourth in a series of special Jazz on the Tube reviews of live stream performances.
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A thoughtful alto-saxophonist with a lyrical yet explorative style and a sound of his own, Caleb Curtis earned degrees from Michigan State University and William Paterson University.
Based in New York, he has worked with such major musicians as Orrin Evans, Josh Lawrence, Jason Moran, Mulgrew Miller, Duane Eubanks, Houston Person, Kurt Rosenwinkel, Kevin Eubanks, Jack Walrath, and Kevin Hays among many others plus Walking Distance and the Fat Cat Big Band.
Curtis begins his LiveStream of June 18, 2020 playing solo alto quietly on an original ballad.
Through skillful editing, he soon forms a saxophone duet (and sometimes trio) that engages in some advanced harmonies and atmospheric music while continuing the introspective mood.
One soon forgets that Caleb Curtis is playing all of the parts and the result is a fascinating improvisation that develops and evolves as it progresses, and surprisingly makes a visit along the way to Billy Strayhorn’s “Chelsea Bridge.”
– Scott Yanow
Archived streams
June 18, 2020 – Caleb Curtis Solo
May 24, 2020 – With Marta Sanchez
April 11, 2020 – With Marta Sanchez
You can direct pay Caleb Curtis right here.
You can follow Caleb Curtis here.
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Livestream, Video
You can follow David Bertrand here.
Review:
This is the two hundred twenty-sixth in a series of special Jazz on the Tube reviews of live stream performances.
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A superior flute player from Trinidad, David Bertrand played classical and folk music before he discovered jazz.
Inspired most by tenor players, Bertrand developed his own lyrical yet forceful style on the flute.
He moved to the U.S., graduated from Queens College and has worked in New York and throughout the Caribbean and Latin America, usually leading his own quartet.
At the thick of the pandemic, on May 28, 2020, David Bertrand performed a set of solo flute (utilizing several types of flutes and a piccolo) during his LiveStream, playing music that is both swinging and soothing, and holding onto one’s interest throughout, even in this sparse setting.
-Scott Yanow
Archived streams
May 28, 2020
You can follow David Bertrand here.
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Livestream, Video
You can follow Eric Harland here.
Archived streams
May 28, 2020
You can follow Eric Harland here.
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Livestream, Video
You can follow Angèle Anise here.
Archived streams
May 28, 2020
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Livestream, Video
You can follow Sean Mason here.
Review:
This is the forty seventh in a series of special Jazz on the Tube reviews of live stream performances.
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Sean Mason began playing piano when he was 13, was largely self-taught in his native North Carolina where he gained early experience playing in church.
He has since developed into an impressive swing-based pianist, one who toured with the Branford Marsalis-Kurt Elling Quartet and seems headed towards a major career.
On his May 28, 2020 LiveStream, the picture is backwards but the music is so enjoyable that it is being reviewed anyway.
During this enjoyable and very musical performance, Sean Mason plays the obscure swing standard “If You Were Mine” (hinting at Teddy Wilson and Erroll Garner), Duke Ellington’s “I Let A Song Go Out Of My Heart,” Ray Charles’ soulful and sadly relevant “Hard Times,” an original uptempo blues, Bud Powell’s “The Fruit,” and “Tomorrow” (from Annie) which becomes “We Shall Overcome.”
– Scott Yanow
Archived streams
May 28, 2020
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