You can follow Paquito D’Rivera here.
July 31, 2020
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You can follow Joey DeFrancesco.
This is the thirtieth in a series of special Jazz on the Tube reviews of live stream performances.
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When Joey DeFrancesco burst upon the scene in the 1980s, the Hammond B3 organ was on the verge of near-extinction in jazz, having been completely overshadowed by the rise of the electric piano and synthesizer.
However DeFrancesco, who was originally strongly influenced by Jimmy Smith, was a bright, new and very energetic voice on the organ, one whose enthusiasm and obvious virtuosity helped lead his instrument to make a major comeback; he has been a popular attraction ever since.
Although he normally leads a trio or quartet, Joey DeFrancesco is such a dominant force on his instrument that he really does not need any other musicians in order to put on an impressive performance.
From Mar. 29, 2020, this Livestream gives one a rare opportunity to watch Joey DeFrancesco close up as he plays creative versions of blues, ballads and lesser-known standards (plus “Sunny”) with his usual brilliance.
– Scott Yanow
March 29, 2020
June 18, 2020
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You can follow Fred Hughes here.
July 31, 2020
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You can follow Fred Hughes here.
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You can follow Tom Grant here.
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You can follow Orrin Evans here.
August 23, 2020 – with Dezron Douglas
July 26, 2020 – With Warren Wolf and friends
July 05, 2020
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You can follow Ted Rosenthal here.
This is the eighth in a series of special Jazz on the Tube reviews of live stream performances.
Support live music – even when it’s streamed!
Pianist Ted Rosenthal, who won the Thelonious Monk International Jazz Competition in 1988, has had a busy career that includes ten CDs as a leader, tours in the 1990s with Gerry Mulligan, leadership of the Gerry Mulligan All-Star Tribute Band (which included Lee Konitz, Bob Brookmeyer and Randy Brecker), work with Art Farmer, Jon Faddis, Phil Woods, Helen Merrill, Mark Murphy, and Ann Hampton Callaway, and heading his own trio.
Each afternoon starting March 21, 2020, Rosenthal has filmed himself performing a selection, often a ballad.
On March 30, he performed Dave Brubeck’s best-known composition (other than “Blue Rondo A La Turk”), “In Your Own Sweet Way,” swinging the piece at a medium-tempo and making every note count.
Rosenthal shows during the performance that he is very much a two-handed pianist and does not need bass or drums to swing; Brubeck would have enjoyed this version.
– Scott Yanow
March 30, 2020
July 31, 2020
July 25, 2020
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Sonny Rollins
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